“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
Chicago experimentalist Jordan Reyes explores themes of place and displacement with patient, mesmerizing modular synth work. Bandcamp New & Notable Feb 25, 2020
This stunning, beautiful project from Fujian duo Southeast of Rain 东南有雨 blends field recordings with rippling notes from the pipa. Bandcamp New & Notable Feb 8, 2021