supported by 18 fans who also own “Side 2: The Conjured Orb”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
supported by 16 fans who also own “Side 2: The Conjured Orb”
Funny af ended up on a tape w guttersnipe age 18, peaked too soon. Huge shout out to John Clyde Evans/Tirath Singh Nirmala, whatever u wanna call them... a tour de force of Yorkshire experimental, n a figure to whom I can’t be thankful enough in allowing both myself n others the opportunity to explore possibilities of music as noise, n vice versa. Never can’t hear in this flattened way now, all sound in essence containing yet unrealised musicality. Og shit. If u c them @ trades, buy them a d jp
The endlessly inventive August, Yours Truly returns with another dazzling experimental LP, exploring the way we perform identity. Bandcamp New & Notable May 16, 2022
A haunting, beautiful, autobiographical record that uses samples of old gospel records to wrestle with faith and unbelief. Bandcamp New & Notable Apr 2, 2021
Shards of static & distortion crash against disarmingly beautiful piano & synth melodies on this riveting new record from Carbon and Prose. Bandcamp New & Notable Oct 30, 2022