supported by 17 fans who also own “Selections for Fort Evil Fruit”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
supported by 15 fans who also own “Selections for Fort Evil Fruit”
incredible album one of the most exciting tapes ive heard in years a gutter poetic industrial band reminds me of the wolf eyes album releases ,but i much prefer this, gets me pounding my fist in the air and smiling and shouting , mix those feelings with the intricate tape loops and guitar that have a heavens touch , soz rambling, but yes in love with it xxx Robert Shackleton
Tasmanian guitarist Julius Schwing embraces the visceral sounds of finger playing, incorporating them into his experimental guitar work. Bandcamp New & Notable Mar 8, 2022
An experimental composer from Ireland, Stephen Roddy proves equally adept at crushing soundscapes as he does mysterious melodies. Bandcamp New & Notable Mar 13, 2022