“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
Tasmanian guitarist Julius Schwing embraces the visceral sounds of finger playing, incorporating them into his experimental guitar work. Bandcamp New & Notable Mar 8, 2022
Prepare to have your mind melted by these 14 guitar-noise compositions featuring distortion-drenched riffs arranged in hypnotic patterns. Bandcamp New & Notable Apr 24, 2023