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Side 2: The Conjured Orb
16:04
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Fort Evil Fruit Ireland
Irish cassette label.
Time Fades Away. Hell Awaits.
The impetus is seething.
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“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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Pure Touch Only From Now On, They Said So
by Bridget Hayden
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The Harrowing of the North: New Music from Yorkshire
by Various (UK)
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Funny af ended up on a tape w guttersnipe age 18, peaked too soon. Huge shout out to John Clyde Evans/Tirath Singh Nirmala, whatever u wanna call them... a tour de force of Yorkshire experimental, n a figure to whom I can’t be thankful enough in allowing both myself n others the opportunity to explore possibilities of music as noise, n vice versa. Never can’t hear in this flattened way now, all sound in essence containing yet unrealised musicality. Og shit. If u c them @ trades, buy them a d
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Performance of a Lifetime
by August, Yours Truly
The endlessly inventive August, Yours Truly returns with another dazzling experimental LP, exploring the way we perform identity.
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In The Eyes of God
by August, Yours Truly
A haunting, beautiful, autobiographical record that uses samples of old gospel records to wrestle with faith and unbelief.
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Cataclysmic System Binding Loss
by Carbon In Prose
Shards of static & distortion crash against disarmingly beautiful piano & synth melodies on this riveting new record from Carbon and Prose.
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House Sparrow Settle Back
by Embla Quickbeam, Natalia Beylis & Neil Campbell
supported by 15 fans who also own “I Am Come From a Place”
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